by Diane

Was the Cross Really the First 'Brand'? Or Did the Sun Get There First?


Brand strategy · Perspective

Was the Sun the First Brand?

A reflection on symbols, meaning, and the deliberate work of building a brand that lasts.

Generate a dazzling image of the sun shining in its heavenly glory
The oldest symbols can still teach us something about modern brand building.

There is a claim that does the rounds in branding circles every so often: the cross was the first brand.

It is a neat line. A single symbol, recognised instantly across continents and centuries, carrying meaning far beyond its simple shape. On the surface, it ticks every box a brand strategist looks for.

If you are a Christian and hold to a creationist timeline, the claim can make sense on its own terms. But step outside that framing for a moment and a more interesting question appears: what if the sun was the first brand? Or the moon?


What Actually Makes Something a Brand

Before settling the argument, it is worth being precise about what a brand actually is, because "recognisable symbol" is not enough on its own. A brand is a symbol, mark, or name that carries consistent meaning, provokes a consistent emotional response, and is attached to an identity that someone is actively building and protecting over time. Recognition alone gives you a symbol. Recognition plus intent, narrative, and stewardship gives you a brand.

That distinction matters enormously here.

The Case for the Sun

Long before any human drew a cross in the sand, the sun was already doing what every great brand aspires to do. It was recognised instantly, by every person, in every culture, without exception. It carried consistent associations wherever it appeared: life, warmth, power, authority. Ancient Egypt built an entire religious and political structure around Ra. Mesoamerican civilisations organised their calendars, their agriculture, and their gods around it. The Japanese imperial line traces its legitimacy to a sun goddess. None of these cultures had contact with one another, yet they arrived independently at the same symbol carrying broadly the same weight.

That is remarkable consistency. It is also, arguably, the flaw in calling it a brand. The sun did not choose to mean life and power. Humans looked up, decided what it meant, and attached the story afterwards. A brand requires an author, someone shaping the meaning on purpose and defending it over time. The sun never did any shaping. We did the work and handed it the credit.

The Case for the Moon

The moon makes an even stranger case study, because its brand identity is more layered than the sun's. Where the sun is associated almost everywhere with constancy and power, the moon carries mystery, change, cycles, femininity, and time itself. It waxes and wanes, disappears and returns, and every culture that has ever looked up has built calendars, myths, and rituals around that rhythm.

If brand strength is measured by how much meaning a symbol can hold without losing coherence, the moon may outperform both the sun and the cross. But it suffers from the same problem as the sun: no author, no deliberate stewardship, no one actively managing what it stands for. It simply is, and we project onto it.

Where the Cross Actually Wins

Here is the argument in the cross's favour, and it is a stronger one than "it's recognisable." The cross was not just a symbol that pre-existed human meaning-making, the way the sun and moon did. It became a brand through deliberate authorship. A specific narrative was attached to it. Institutions then took that narrative and applied it with extraordinary consistency, across languages, geographies, and centuries, defending its meaning and adapting its presentation while keeping its core association intact.

That is not passive recognition. That is brand management, playing out over two thousand years, with remarkable discipline.

The Real Lesson

The sun and moon prove that universal recognition is possible without any strategy behind it at all. The cross proves that recognition sustained by deliberate narrative and consistent stewardship is what turns a symbol into something with lasting commercial and cultural power.

That is the version of this argument worth taking into any conversation about brand building. Recognisability is not enough, and neither is meaning that simply exists. What separates a brand from a symbol is intent, someone deciding what it stands for, telling that story consistently, and defending it over time.

Whichever one you believe came first, that is the part worth remembering.

Building That Kind of Brand

At The Entertainment Bureau, this is the work: not chasing recognition for its own sake, but building the narrative, consistency, and stewardship that turn a symbol into something people trust and act on. If your brand has the recognition but not yet the story behind it, get in touch at theentertainmentbureau.biz and let's build one that lasts.

by Diane

Reach = Revenue: Why PR ROI Is More Measurable Than You Think



For decades, public relations has carried an unfair reputation. Ask a marketing director to justify their advertising spend and they can point to click-through rates, cost per acquisition, and conversion funnels. Ask them to justify their PR spend and, too often, the answer is a shrug and a vague reference to "brand awareness." PR has been treated as the soft, unquantifiable cousin of performance marketing, the thing you do because it feels right, not because you can prove it works.


That reputation is out of date, and it is costing businesses money.


At The Entertainment Bureau, our founding principle is simple: Reach = Revenue. It is not a slogan we chose because it sounded good. It reflects a working philosophy that every piece of coverage, every media placement, and every strategic relationship should be traceable, in some measurable way, back to commercial outcomes. When PR is built on precision rather than guesswork, its return on investment becomes not just visible, but compelling.


The Old Argument Against PR


The scepticism around PR ROI usually comes down to one issue: attribution. A press mention does not come with a checkout page. Unlike a paid social ad, nobody clicks directly from a magazine feature to a purchase confirmation. This has led many businesses to assume that because PR's impact cannot be tracked with the same tools used for pay-per-click campaigns, it cannot be tracked at all.


This is a false equivalence. PR does not need to mimic advertising's measurement model to be measurable. It needs its own framework, one that accounts for how trust, authority, and visibility actually translate into revenue over time.


What Measurable PR Actually Looks Like


Consider what happened when Expansion Records, a soul and jazz label, engaged The Entertainment Bureau. The brief was not "get some press." It was a complete overhaul of the label's digital reputation and search authority. The result was concrete: the label secured Google's 100% Trust badge, a credibility marker that placed its curated catalogue directly in front of audiences actively searching for that kind of music. Sales more than doubled.


That is not an abstract brand-awareness win. It is a direct line from strategic communications work to search visibility to sales. Every stage of that chain can be measured: search rankings, trust signals, traffic, and ultimately revenue.


Or take the Middlesex County Football League, a grassroots organisation supporting more than 250 clubs and over 6,000 athletes, which came to us with little more than a static webpage. The Bureau led the communications and content strategy behind a full digital transformation, delivering a community platform with news, events, a fan forum, and, critically, new commercial infrastructure that let clubs collect subscriptions digitally, sell tickets online, and access sponsorship for the first time. With England's progress through FIFA World Cup 2026 fuelling public interest in grassroots football, the league is now positioned to convert that attention into pounds and pence in a way that simply was not possible twelve months ago. Subscription revenue, ticket sales, and sponsorship income are all trackable figures, and all of them trace back to a communications strategy.


The Metrics That Prove the Point


When PR is approached properly, there is a rich set of data available to demonstrate value:


  • Search authority and trust signals. Coverage and citations from credible sources build domain authority and can secure recognition, such as Google's Trust badge, that directly affects where a brand appears in search results.

  • Referral traffic and conversion tracking. Every media placement with a link or a call to action can be tracked through to website visits and, from there, through the conversion funnel like any other channel.

  • Commercial infrastructure enablement. As with MCFL, PR-led strategy can unlock entirely new revenue streams, ticketing, subscriptions, sponsorship, that did not previously exist. The revenue generated through that new infrastructure is a direct, attributable outcome of the campaign.

  • Sales lift correlated with campaign timing. When a defined PR push precedes a measurable increase in sales, as with Expansion Records, the correlation is strong enough to stand up to genuine scrutiny, particularly when no other major variable changed in the same window.

  • Bestseller placements and third-party validation. For clients such as author John Stanley, whose books reached the Sunday Times Bestseller list under our representation, the outcome is a public, third-party-verified metric that speaks for itself.


Precision Over Guesswork


The businesses that dismiss PR as unmeasurable are usually the ones treating it as guesswork rather than strategy: scattergun press releases, coverage for coverage's sake, no clear connection between activity and objective. That is not PR failing to deliver ROI. That is PR being done without a measurement plan in the first place.


The alternative is a precision approach, one where objectives are set before a campaign begins, where success is defined in commercial terms from day one, and where every placement is chosen because it moves a client closer to a specific, trackable goal. This is the model The Entertainment Bureau has built its international practice on, working across more than ten nations and fourteen languages, always with the same underlying discipline.


Reach Was Never the End Goal


Reach, on its own, has always been a vanity metric. A million impressions mean nothing if none of them convert into trust, visibility where it matters, or revenue. The point of good PR has never been reach for its own sake. It has been reach that compounds into measurable commercial value.


That is the distinction worth making the next time someone questions whether PR delivers a return. It is not that PR is immeasurable. It is that measuring it properly requires asking the right questions from the outset, and building campaigns designed to answer them.


Reach = Revenue is not a tagline. It is a test every PR campaign should be able to pass.


Curious what a measurable PR campaign would look like for your brand? Get in touch with The Entertainment Bureau to talk through your goals.